
‘The Mastermind’ Review: Josh O’Connor Is an Art Thief Hijacked by His Own Heist in Kelly Reichardt’s Jazzy 1970s ...
When the jazzy, jittery opening of Kelly Reichardt’s “The Mastermind” begins with slow, vertically crawling title cards in Bauhaus-like font, you know you’re about to be thrown back in cinematic time. Shot on film with the grainy warmth that evokes a …